Due to recent cirumstances, it has meant that I’ve had to go through my drawers full of photography stuff. I imagine we all have those bit and bobs related to our craft that we put in a drawer and forget about. So here is an example of a couple of things that were found in the drawers. I found two lighting gels and some random props and decided to just have some fun with them. To be honest, never having really used gels before for a proper photoshoot, it’s safe to say that they are a lot of fun. Have you guys out there ever had a clean out of your arty storage and forgotten about half of the stuff that was in there? If so, what have you found and did you finally make use of them or throw them away, let me know in the comment section.
Hi there to the wonderful people who read this blog, this month has been a little bit manic so unfortunately, there hasn’t been much productivity in terms of photo shoots and blog brainstorms. So for now, here are some images from my last photo shoot that was more of a practice shoot for location purposes, although I’m pleased with these images. Sometimes we have to remember that real life must come before our online obligations and presence. Don’t worry, next month will be back to normal, all being well.
In Hanley, Stoke-On-Trent, there is a derelict site called the East-West Precinct that was once a bright, thriving and colourful shopping centre and bus station that had cafes, music shops, restaurants and so on. Unfortunately over the decades, this once grand centre has become nothing but reminders of a bright part smothered in rot and decay. It was officially abandoned around 2013 (this was when the new Hanley bus station officially opened) and has remained standing as a local eye sore. Fortunately for local residents, it is being demolished this year and myself and another photographer (and friend) have been granted permission to document the deconstruction of this grand dismal site. We hope to create something interesting from it, so that the local community can access the images that we produce and will be able to see progress from how it use to look to being an empty piece of land in one place.
Below are a few images of what the old shopping centre currently looks like before demolition
This year is going to be one of those where I start as I mean to go on (hopefully), meaning to do something meaningful and productive each day, in terms of marketing and photography in general. So far the main task has been to create mock ups and select images that could be sold digitally to those who would like something a little different to spruce up their desktop or android. This is because the world we live in is surrounded by all things digital and there are infinite ways to access anything online (especially images) so it’s all about experimenting and pushing myself into the digital world in hopes something good will come of it.
Do you guys have the same problem when it comes to your own work? If you’re feeling confident enough to share a few tips then don’t be afraid to comment below.
It has been a year that became manic very suddenly, for better and worse but there are always ups and downs with everyone’s year. Sometimes you find that it’s the small things that make you happy and just breathe that bit easier and feel like you’ve achieved something. We always say things like “I don’t have time” or “I’ll do it later”, this is my favourite but even though there many things that I’ve made excuses for, there’s one thing that’s made me proud this year and that’s sticking to my monthly challenge; doing an unplanned photo shoot at least once a month. This may not seem like a lot but when you’re trying to run a business, have a personal life and try to make some money with different jobs here and there, it can be tricky to fit in time for yourself. It’s important to remind yourself of the reason why you love something and doing this challenge has done just that. Next year, I’m going to do the same but with more planned and challenging photo shoots, to keep pushing and keep learning.
what did you do this year that made you feel just a little bit proud, no matter how big or small it is.
Here is an image from every photo shoot this year during this challenge
This month was the final shoot for a two-year documentary a small group of us have been involved in. It was a cold and dark ending but also magnificent and inspiring one. The last location we visited were docklands; during the day are slightly haunting and interesting but at night, they’re so magnificent and bright.
The shooting of the last day was relaxed and pleasant, I think we were all at peace (and grateful) knowing this was the last time. Our adventure has had us traveling from Swiss Cottage to Greenwich, the West End to random little back roads that hold precious memories relevant to the project. Also, this documentary seriously challenges and forces you to improve your photography skills, especially when about 70% of your images are taken out of a back seat car window, it creates some odd looking work sometimes and I love it.
There has a been quite a build up to this month as it’s the launch of my first ‘solo’ exhibition. I use the term solo loosely as I’ve worked with another artist to create text and poems to go with the work, all of the images however, are mine. It can be quite daunting at times, knowing your work will be on display for all to see for the first time but it’s also really exciting; you can tell when it’s the right time to do something like this because it just feels right; you gain confidence in your work and as long as you’re happy with your work then nothing else should matter.
Infinite City at Centre Space, Spode Museum – 19th-30th September
Sarah Peart, 20, is a professional photographer, and Infinite City is her first solo exhibition. The pictures are the result of her accompanying Richard Snell & Darren Washington when they visited London to make a documentary about Richard’s hometown. Having lived in Stoke-On-Trent all of her life, Sarah found London to be both incredible and overwhelming. She was inspired to create striking images reflecting those moods.
Richard Snell, 72, is a Londoner by birth but has lived in North Staffordshire since 1989. Now retired, he earned his living in a variety of ways, ranging from laboring to teaching. Richard left London to make a new life for himself but has always missed his hometown. He takes pride in being involved and associated with this exhibition in which Sarah Peart’s photographs, as well as being unique to her style, say so much about London as Richard himself understands it.
As a photographer, I enjoy taking lots of photos (as you would assume) however, a lot of the time there are many images that are left unused. whether it’s bits from a projects that never took off or just loose photographs from random places. Either way there’s just no real place for them but you don’t want to waste them. Over the last year I’ve been routing through photographs and putting them in all one folder for something different. I’ve decided to recycle old work by cropping them all into squares. I call this Sqauredom; recycle photos when you’re ‘bored’ with a ‘square’ ratio. All images have potential to be part of this personal project, that’s the whole point, it could be most of the image or just a small corner of it, anything can be done.
What would you guys do with your random photos? Mash them together digitally, simply print them or anything else? Let me know in the comment section if you want to share.
At last, we have our little studio set up, it’s clean, compact and just what we needed. Lately, I’ve been doing so much photography outside it feels like it’s been forever since I’ve properly used a studio. The best thing to do when this happens is to simply start practicing and experimenting with the studio and not just the camera, in your spare time. Even when you have a limited kit for the studio, you’ll find that you can achieve so many different things when you’re re-familiarising yourself with studio lighting and just essentially messing around, in a creative manner. My personal favourites are using natural light (if available) or a simple off-camera flash. As you can tell the images above, I tend to use inanimate objects in the studio (for control & size purposes). All of these images have been achieved by using a simple off-camera flash with wireless triggers (and a hand made snoot) and I thought I’d share them to show what simple but completely different images you can produce.
Do you guys out there have any preferences or hand made goodies you use when it comes to using studio photography, if so feel free to comment below.
When a quiet but productive moment is needed at work at the moment, I find sticking on a pair of headphones and working on fixing old images is quite relaxing, challenging but relaxing. It’s also a great way of learning how to use Photoshop more efficiently without affecting the look of the original image and saving a bit of time. Just think though, about how many memories out there are restored and brought to life once again because we have this ability to digitally restore fix old images to their true form; it’s really quite amazing. Back in the studio, we’re currently doing a restoration job for a friend, so to show you one of the easier kinds of images you can restore, here’s a little snippet of an image that turned out to be one of the more interesting photos that took some time, it was definitely worth it though.